I began by pretending this was a short novel about a t-shirt and vinyl-record-obsessed old guy, who happened to also be an obscenely successful novelist and it worked for the most part in the sense that I enjoyed reading these table scraps of autobiographical reminiscences from the most influential Japanese author ever.
Just learning more about this celebrity’s everyday, even boring, existence, was still fascinating in the way gossip webpages and home invasion footage is. Is it wrong that I want to rifle through Murakami’s closet and thumb through his record collection? Stalkerish fans are one thing Murakami has in spades, and it is quite generous of him to release this enticing expose to fend off their frothing hordes. But it also appears a tad exploitative. At this point, I will keep reading the translations they spoon feed us of this author because I can’t stop now.
The tactics he employs as a novelist have been discussed to death, but the agony uncle side of him, the uncaring, sloppy, endearing, and well-intentioned side of him, remains absurdly interesting out of all proportion to what he is writing about, which has long since ceased to matter, since all we want is more Murakami, more Murakami, more Murakami.
It’s weird how everyone has all but forgotten Ryu Murakami, and we haven’t seen a new translation of him in years, and they are clearly holding back a bunch of Haruki’s early stories and nonfiction writing to trickle through the translation pipeline after his creativity dries up – But maybe he’ll go on, like Philip K. Dick’s android or Hokusai, producing mesmerizing works into his nineties and hundreds, and most of his fans will finally discover other pleasures, having finally read Absolutely on Music and realized the depth of their paramour’s insanity.