In this richly descriptive and atmospheric novel, I was pleased to find intricate sentence structure and mature characters.
Many of its descriptions have an old-fashioned elegance. It is a nuanced ghost story with an intriguing premise, tackling central concepts of spiritualism, the afterlife, and growth. The language is always surprising and contributes to the cinematic scenes, which are ensconced in a setting of baroque splendor.
By and by, I found it to be book that exceeds expectations on multiple fronts, delivering realistic dialogue and fantastic descriptions, while incorporating much magical realism into a satisfying plot. The little details pile up, contributing to a sense of dread. The reader picks up cues from characters’ actions and speech, since the author does not rely on info dumps or long interior monologs. I was reminded time and again of Shirley Jackson, who masterfully weaved tales in a similar vein, capturing subtle changes in character and dark turns of fate without sacrificing the abundant dreamy texture of the prose. It is as much an exploration of the speculative world of spirits as it is an interior examination of the self. Our main characters’ scars run deep, and her world is fraught with unrelenting tension. The storytelling elements are impressive, working with the world building to construct a convincing ambiance. Words like reticule, crinoline, and laudanum crop up frequently. Make sure you are prepared for a slower pace, akin to twentieth century fiction, with an emphasis on eerie locales and creeping dread. I would not be surprised if the author went on to publish many excellent novels revolving around the supernatural, since she knows how to handle historical subjects and language with undeniable ease.